ABOUT BIOSONOLOGY

Feel your mind and body

The first session is a complete session in order to introduce you the biosonologic method, for me to know you and your needs/wishes and have an introduction about a biosonologic journey. The lenght of a single session is around 75/90 minutes.

To book your first session use the contact formular.

I also offer collective sessions (in my studio or in other studios/venues).

To book a biosonologic session with me (collective) for your yoga studio, your company or your venue use the contact formular.

Despite the obvious technological component, the biosonological method is not an aseptic computer/biophysical application. The interaction between the vagus nerve and the auditory nerve shows us that, mixed together with the instructions of the parasympathetic system that reach our major organs, there are also vibrations that
come from the eardrum. Here, then, are the sound waves
properly generated and modulated through the Vortex Based Synth can resonate the entire vagal system, and one cannot fail to
notice the important correspondences that this has with those that traditionally the great Yoga masters have attributed to the Chakras.
From this emerges the holistic approach of Biosonology that shares and recognizes the fact that the system of "invisible" human physiology developed by Eastern cultures constitutes a real map of a psycho- physiology of the human being.

(source: Biosonology Institute)

Roberta Busechian

biosonologist, sound artist, researcher, educator

I'm a certified biosonologist (2024), practicing biosonology in Berlin in my studio and abroad.

Roberta Busechian (1990), Roberta Busechian is a sound artist, curator, researcher, lecturer of sound art theory, practice and sonic activism. She is a guest lecturer at IUAV University of Venice, was a lecturer at Accademia di Belle Arti di Brera (Master Sound Art for creative industries) at electronic music academy recreative12. She teaches sound art in art schools in Berlin since 2014 and has attended international conferences presenting her research through talks and presentations (i.e “CENSE Annual Sonic Ecology Conference" (Usti nad Labem - CZ), ICST - Institute for Computer Music and Sound Technology, Zurich). Her main interests include the effects of listening in creating common aggregation points in the physical space, and especially the technological possibility of virtually connected urban spaces through live stream and time shift. In one of her scientific publications, she discovered the potential of sound and listening aesthetics to develop collectivity projects in a huge amount of humanistic disciplines (Emanuele Arielli, Roberta Busechian: Aesthetical experimentation: sound art and acoustic listening, “The Auditory Object,” edited by Elvira Di Bona, Vincenzo Santarcangelo, Rivista di Estetica n.66, 2017). Roberta's subsequent research into the live stream of sound installation examined the work of Bill Fontana (R. Busechian, “Erweiterte Realität: Bill Fontana Audiopioneer, Komponist, Künstler” Neue Zeitschrift für Musik 3/2019, p.28) to focus on the space-listener-time triangle in relation to the hidden sonic inputs of the environment.Some of her projects includes the visual arts, art in public space, performaces and sound installations. She presented her works in many exhibitions and performances around Europe: Venice, Milano, Verona, Vicenza, Trieste, Nova Gorica (Slovenia), Berlin (DE), Salzburg (AU), Siegen (DE), Graz (au), Weimar (DE), San Diego (CA), Los Angeles (CA), Long Beach (CA), Tijuana (Mexico). Her sound performances where presented at international festivals like Hoergerede-Elevate Festival in Graz (2014) and Transmediale Vorspiel in Berlin (2015). In 2013 in Berlin she was assistent in music therapy for patients at retirement homes.She is a member of ERRANT SOUND in Berlin since 2019.

We are what we hear and how we remember it.